Poetry: Mark Strand

Black Maps

Not the attendance of stones,
nor the applauding wind,
shall let you know
you have arrived,

nor the sea that celebrates
only departures,
nor the mountains,
nor the dying cities.

Nothing will tell you
where you are.
Each moment is a place
you’ve never been.

You can walk
believing you cast
a light around you.
But how will you know?

The present is always dark.
Its maps are black,
rising from nothing,
describing,

in their slow ascent
into themselves,
their own voyage,
its emptiness,
the bleak temperate
necessity of its completion.
As they rise into being
they are like breath.

And if they are studied at all
it is only to find,
too late, what you thought
were concerns of yours

do not exist.
Your house is not marked
on any of them,
nor are your friends,

waiting for you to appear,
nor are your enemies,
listing your faults.
Only you are there,

saying hello
to what you will be,
and the black grass
is holding up the black stars.

The Mailman

It is midnight.
He comes up the walk
and knocks at the door.
I rush to greet him.
He stands there weeping,
shaking a letter at me.
He tells me it contains
terrible personal news.
He falls to his knees.
“Forgive me! Forgive me!” he pleads.

I ask him inside.
He wipes his eyes.
His dark blue suit
is like an inkstain
on my crimson couch.
Helpless, nervous, small,
he curls up like a ball
and sleeps while I compose
more letters to myself
in the same vein:

“You shall live
by inflicting pain.
You shall forgive.”

The Door

The door is before you again and the shrieking
Starts and the mad voice is saying here here.
The myth of comfort dies and the couch of her
Body turns to dust. Clouds enter your eyes.

It is autumn. People are jumping from jetliners;
Their relatives leap into the air to join them.
That is what the shrieking is about. Nobody wants
To leave, nobody wants to stay behind.

The door is before you and you are unable to speak.
Your breathing is slow and you peer through
The window. Your doctor is wearing a butcher’s apron
And carries a knife. You approve.

And you remember the first time you came. The leaves
Spun from the maples as you ran to the house.
You ran as you always imagined you would.
Your hand is on the door. This is where you came in.

The Guardian

The sun setting. The lawns on fire.
The lost day, the lost light.
Why do I love what fades?

You who left, who were leaving,
what dark rooms do you inhabit?
Guardian of my death,

preserve my absence. I am alive.

(from the collection Reasons for Moving)